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Ebook Spätestens in Venedig by Daphne du Maurier read! Book Title: Spätestens in Venedig
The author of the book: Daphne du Maurier
ISBN 13: No data
Language: English
Format files: PDF
The size of the: 489 KB
City - Country: No data
Loaded: 2076 times
Reader ratings: 4.9
Edition: Rowohlt
Date of issue: 1983
ISBN: No data

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MAURIE, Daphne Du: „Spätestens in Venedig“, Hamburg 1985
4 Erzählungen in einem Buch. Die Stadt Venedig gibt die Bühne dafür her.
In der ersten Geschichte „Dreh dich nicht um“ begegnet ein englisches Urlauberpaar Zwillingen, von denen eine Hellseherin ist und Unheil ankündigt; Unheil, das mit Tod endet. Nur die erste Geschichte spielt in Venedig. Sie gab dem Buch den Titel.
Die zweite handelt in Kreta in der ein junger englischer Lehrer und Hobbymaler einen Mord aufklärt ohne ihn zu veröffentlichen.
Die dritte Geschichte führt nach Irland, wo sich die Tochter eines verstorbenen Marinekapitäns auf die Suche nach einem Kollegen und Freund des Vaters macht. Sie kommt damit in den Konflikt zwischen Nord- und Südengland.
Die letzte Geschichte würde ich als Science Fiction einstufen. In einem Versuchslabor wird versucht die Energie gestorbener Menschen zu speichern und weiter zu verwenden.
Die vier Geschichten sind so unterschiedlich wie man sie sich gar nicht vorstellen kann und trotzdem sind sie aus der Feder einer Dichterin. Daphne du Maurie ist eine begnadete Erzählerin und es ist angenehm und schön ihren Geschichten zu folgen.


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Ebook Spätestens in Venedig read Online! If Daphne du Maurier had written only Rebecca, she would still be one of the great shapers of popular culture and the modern imagination. Few writers have created more magical and mysterious places than Jamaica Inn and Manderley, buildings invested with a rich character that gives them a memorable life of their own.

In many ways the life of Daphne du Maurier resembles a fairy tale. Born into a family with a rich artistic and historical background, the daughter of a famous actor-manager, she was indulged as a child and grew up enjoying enormous freedom from financial and parental restraint. She spent her youth sailing boats, travelling on the Continent with friends, and writing stories. A prestigious publishing house accepted her first novel when she was in her early twenties, and its publication brought her not only fame but the attentions of a handsome soldier, Major (later Lieutenant-General Sir) Frederick Browning, whom she married.

Her subsequent novels became bestsellers, earning her enormous wealth and fame. While Alfred Hitchcock's film based upon her novel proceeded to make her one of the best-known authors in the world, she enjoyed the life of a fairy princess in a mansion in Cornwall called Menabilly, which served as the model for Manderley in Rebecca.

Daphne du Maurier was obsessed with the past. She intensively researched the lives of Francis and Anthony Bacon, the history of Cornwall, the Regency period, and nineteenth-century France and England, Above all, however, she was obsessed with her own family history, which she chronicled in 'Gerald: a Portrait', a biography of her father; 'The du Mauriers', a study of her family which focused on her grandfather, George du Maurier, the novelist and illustrator for Punch; 'The Glassblowers', a novel based upon the lives of her du Maurier ancestors; and 'Growing Pains', an autobiography that ignores nearly 50 years of her life in favour of the joyful and more romantic period of her youth. Daphne du Maurier can best be understood in terms of her remarkable and paradoxical family, the ghosts which haunted her life and fiction.

While contemporary writers were dealing critically with such subjects as the war, alienation, religion, poverty, Marxism, psychology and art, and experimenting with new techniques such as the stream of consciousness, du Maurier produced 'old-fashioned' novels with straightforward narratives that appealed to a popular audience's love or fantasy, adventure, sexuality and mystery. At an early age, she recognised that her readership was comprised principally of women, and she cultivated their loyal following through several decades by embodying their desires and dreams in her novels and short stories.

In some of her novels, however, she went beyond the technique of the formulaic romance to achieve a powerful psychological realism reflecting her intense feelings about her father, and to a lesser degree, her mother. This vision, which underlies 'Julius', 'Rebecca' and 'The Parasites', is that of an author overwhelmed by the memory of her father's commanding presence. In 'Julius' and 'The Parasites,' for example, she introduces the image of a domineering but deadly father and the daring subject of incest.

In 'Rebecca', on the other hand, du Maurier fuses psychological realism with a sophisticated version of the Cinderella story. The nameless heroine has been saved from a life of drudgery by marrying a handsome, wealthy aristocrat, but unlike the Prince in Cinderella, Maxim de Winter is old enough to be the narrator's father. The narrator thus must do battle with The Other Woman - the dead Rebecca and her witch-like surrogate, Mrs Danvers - to win the love of her husband and father-figure.


Reviews of the Spätestens in Venedig


WILLIAM

The most favorite book of all books

WILLIAM

The butterflies in my stomach have died ...

VICTORIA

A cozy book that teaches small things, happiness, in detail!

CHARLIE

A wonderful book, like all the works of this author.

FRANCESCA

A hard, shocking, but extremely useful book that makes you think!




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